Curation > Everything Has Changed: Life Altering Healthcare Experiences in 21st Century USA

Society of Visually Impaired Sound Artists (SVISA) Play at the Exhibit Opening for Everything Has Changed
Society of Visually Impaired Sound Artists (SVISA) Play at the Exhibit Opening for Everything Has Changed

SVISA is led by sound artist Andrew Slater.

SVISA Manifesto:

SVISA is a group of blind and visually impaired sound artists, composers, and thinkers. We are working to strengthen the presence of sonic based art in museums and art education. We encourage other visually impaired artists to work in the medium of sound. As a community we collaborate on projects, discuss the challenges and rewards of being blind artists, and support each other’s creative goals.

Together we have been exposed to “art for the blind” countless times only to nd ourselves vacantly running ngers over a topographic representation of the Mona Lisa or American Gothic. The standard touch gallery offerings serve more as a vague reference to the classics and provide a dictated museum experience instead of an appreciation of the work.

When given the ability to discover art without a guide’s assistance a blind person can experience the work on his or her own terms. An easy way to provide this experience is through sound-based art.

In our search for more members we have found that there are a very small number of visually impaired sound artists in the world. It is a baf ing discovery. To nd out why sound artists are not prominent in the blind community we are asking these questions:

Is the small number of artists because of a lack of sound represented in art education and museums? Is recording and capturing sound intimidating to someone who cannot see to utilize technology? Is a blind person’s reliance on sound such a routine thing that sound is overlooked as an art form? Is there a bias in the art world towards artists who do not work in a visual medium?

Our Goals
• Introduce visually impaired people to sound artists and composers making art informed by their disability.
• Create an accessible archive of works by established and new artists.
• Support the artists by organizing festivals, performances, exhibits, and distribution of recorded work.
• Inclusion in the design of audio descriptive museum tours.
• Create work speci cally for a visually impaired audience.
• Encourage sighted artists to consider a blind audience when conceptualizing their work.
• Propose sound installations and recorded work to museums and galleries as touch gallery alternatives.
• Experiment with new interactive technology such as virtual and augmented reality.
• Host audio production and composition workshops for visually impaired people.
• Encourage others to use their inherent listening skills to create sonic art.
• Push to include sound into art education curriculums designed for visually impaired students.